Quilter’s Dream for my Bernina 830

11.05.09

It’s here at last! The Horn Quilter’s Dream cabinet for my Bernina 830 that is.

The good news this morning – the cabinet had arrived at Sew from the Heart. The not so good news – both Noel and Keith (SftH’s amazing tech team) are on vacation so it couldn’t be delivered until next week when they are back. Now that was a problem! And every problem has a solution, right? I can drive a van, and I’m pretty strong. So all I needed was someone else with some muscle and the willingness to put it to good use. And into the store walked John – an 830 owner with muscle and the willingness to help!

Quilter's Dream PackagingThis thing comes in a REALLY big box! Weighing in at 180 lbs, it’s not an easy task to move it around.

Open this way upAnyone paying attention would have noticed that one side of the box had written on it in pretty big letters: “Open Here”. It took us a while to figure this out – having already opened the box on the other side and removed all of the packaging materials, of which there was a lot!

Out of the box and into positionFinally it’s out, and all the packaging has been removed. 60″ wide and 19.5″ deep at it’s smallest.

Extended at the backWith the back flap up, it extends to 39″ deep.

And extended at the frontWith the front flap up as well, there is an extra 16″ of depth – just where you need it most for quilting the larger quilts. This is a neat design – open the draw and an extension table fits right on top.

Machine on topIf you’re going to do embroidery, the machine sits right on the top, with the airlift table in the top position.

Machine ready for sewingPush down on the machine, and the table lowers to position number 2. Now everything is level for regular sewing and quilting. A cutout (that bit is still to come) fills in the gap around the machine so that a continuous surface is created. Changing the bobbin is going to be interesting – I’ll have to see how visibility is when my cutout arrives.

Bottom position for storagePush down again and the airlift table goes all the way to the bottom. The machine is now nicely stored – with a full sized insert to fill the hole.

Now I’m really ready for some serious sewing and embroidery!

What’s new in Bernina Embroidery Software v6

11.04.09

Outline Design

It’s been a while since I’ve written about the new features in v6 of the Bernina Embroidery Software. Life got kind of crazy for a while there! Teaching a class on the new features today got me back into the swing of things, so here goes!

Outline Design ButtonOutline Design is found as the 3rd button up from the bottom on the Digitize toolbar. It’s only active if you have an existing object selected!

Motif 1 SmallCreate a new design, or insert an existing design into a new embroidery file. I have chosen to use “Motif 1 Small” from my Heather Feather CD, rotated by 45 degrees clockwise, with the positioning square removed. I placed the design in a jumbo hoop so that there is plenty of space to play with around the design!

Ctrl+A to select all of the design. Outline Design is now active, so click on it.

Here are some examples showing the results of different settings:

Offset 1mm Outline Count 4Offset 2mm Outline Count 4

On the left, Offset = 1mm, Outline Count = 2, Outline Type = Single
On the right, Offset = 2mm, Outline Count = 4, Outline Type = Single

Offset 2mm Outline Count 8Offset 5mm Outline Count 2 Satin

On the left, Offset = 2mm, Outline Count = 8, Outline Type = Single
On the right, Offset = 5mm, Outline Count = 2, Outline Type = Satin

Some really fun things start to happen when you add an outer border and use the “Fill Holes” option!

Offset 4mm Outline Count 4 SingleA satin stitch border has been added, and then everything was selected before applying Outline Design with:

Offset = 4mm
Outline Count = 4
Outline Type = Single

Offset -4mm Count 4 Single

 

 

 

 

 

Offset = -4mm
Outline Count = 4
Outline Type = Single

I think that the Bernina Embroidery Software is the only embroidery software that will allow you to use a negative offset for an outline design function!

Offset 4mm Outline Count 4 Holes SingleLook what happens when you check Outline Holes!

Offset = 4mm
Outline Count = 4
Outline Holes
Outline Type = Single

Offset 4mm Outline Count 8 Holes Single

To fill in the gaps, increase the Outline Count:

Offset = 4mm
Outline Count = 8
Outline Holes
Outline Type = Single

Below the outlines outside the border have been deleted.

Offset 4mm Outline Count 8 Holes Single DeleteOutside

Offset 8 Outline Count 2 Satin Plus Offset 4 Outline Count 4 SingleIn this example, I applied Outline Design twice to the original design. Make sure to group the whole design, including the border, to make it easy to select everything for the second application of Outline Design.

First application:
Offset = 4mm
Outline Count = 4
Outline Holes
Outline Type = Single

Second application:
Offset = 8mm
Outline Count = 2
Outline Holes
Outline Type = Satin

Some of the single stitch outlines from the first application are hidden underneath the satin stitch outlines from the second application. They could be removed if you really want to – each outline created is a separate object and so can be deleted if desired.

The fact that each outline created is a separate object can be put to good use when coloring – each outline can be selected independently and the color can be changed.

I hope that this has given you some ideas and enough insights to be able to go away and play. I would love to see what you create with the Outline Design tool!

Unpacking the Bernina 830

11.01.09

When you’re home alone on a Sunday afternoon and there are two big boxes containing a brand new Bernina 830 sewing and embroidery machine sitting in your living room/quilting studio, what else are you going to do but unpack the boxes, even if the cabinet you’re waiting for hasn’t arrived?

The Bernina 830 sewing machine in it's boxThe sewing machine box is about 30″ wide, 17″ deep and 24″ tall. No small task moving this baby around! First out is the removable table, then some manuals and other bits and pieces, and finally the machine itself is revealed.

Out of the box - the Bernina 830 revealedI was going to put it on the portable cutting table, but common sense prevailed. The cutting mat was moved over to the portable cutting table so that the Bernina 830 could have pride of place – and a good deal of stability – on the main cutting table.

 

Bernina 830 accessory boxAccessories

The Bernina 830 comes with 5 (beautifully big) bobbins – one of which is already in the machine; 10 feet, all of which have an optical eye, 2 of which work with the dual feed system; and a whole bunch of other things!

Bernina 830 accessoriesThe white cone has a really good purpose – I just can’t remember what it is right now! From the left, the mirror for use when threading the bobbin for embroidery; a pair of tweezers; needle housing “screw driver”; stylus for the beautiful big screen; multi-purpose tool; cleaning brush; seam ripper; and some oil!

Unpacking the 830 014Bernina 8 series jumbo bobbins are much bigger than the bobbins for the other Bernina machines. They hold 40% more thread – so you can do a lot more stitching!

Bernina 830 with the slide-on tableEvery sewing machine needs a slide-on table, and the Bernina 830 really delivers! Nothing can beat a set-in cabinet for the ultimate sewing experience, but this slide-on table offers and excellent workspace – as well as support for the hoop when doing embroidery.

Bernina 830 dust coverThere’s a pretty sophisticated dust cover included with the Bernina 830, with a hole for the handle to show through and a number of pockets. So far I haven’t figured out what might go in these pockets, but they are there if you need them!

Lid off the Bernina 830 embroidery module boxEmbroidery Module

The embroidery module comes in a separate box. Taking the lid off reveals a tray containing 3 embroidery hoops (small, medium and large oval hoops), a USB cable, the #26 foot for embroidery, hoop clips, a box of literature and a CD.

Bernina 830 embroidery module and sewing machineFinally out of the box, and the embroidery module is ready to be attached to the sewing machine. It’s a pretty easy connection – lift up the left hand side of the embroidery module and tuck the two extensions on the right hand side into the sewing machine. A good solid surface is required to hold the machine to make sure that all contacts are made.

 

Bernina 830 all connectedThe sliding table is designed to be used with the embroidery module. It slides underneath the embroidery arm – and when installed it provides support for the hoop, especially the jumbo hoop.

This machine is now ready for action!!!

What to do with the Bernina 830 boxes

The biggest issue now is what to do with the boxes! Maybe it would make a good coffee table… watch this space for more news on that!

Making Room for my Bernina 830

10.30.09

Last week I finally got my very own dream sewing and embroidery machine – a new Bernina 830. As well as being a masterpiece of Swiss engineering, this is one big sewing machine! Add the embroidery module onto it and it’s even bigger. The jumbo hoop (an extra – but very essential in my opinion!) has the largest embroidery area of any hoop currently available for the home embroidery market.

When I brought the machine home it became very clear to me that I was going to have to do some rearranging in my quilting studio – which is also my living room!

Tuesday morning of this week – this is what my studio looked like:

Before my studio transformation

My Bernina artista 200 is in the corner on a portable cabinet that has been extended on the left and behind by the addition of a couple of shelves. The cutting table is a free standing kitchen cabinet from IKEA – the perfect height for working at! It has been buried under “stuff” for a really long time. The portable cutting table gets moved around – and when it is open and in the middle of the room, there’s not a whole lot of space to do anything else.

Even the 830 box has “stuff” on top of it and is surrounded by bears, blankies and Jasmine’s new scooter.

Before my studio transformationOn the other side of the room is the sofa – which hasn’t been sat on in months due to the fabric that is piled up on it – and in the corner are the wardrobes that contain my fabric stash. Heather’s scooter is propped up against the french doors. We’ve been getting out and about on the scooters since the weather cooled down – but you can probably tell that none of us (that would be Heather, Jasmine and myself) are very good at putting things away when we are finished using them!

Studio Transformation underwayAfter picking all the kid stuff up off the floor and transfering it to the playroom, the sofa was moved down a bit and the fabric stash wardrobes were moved to their new home – in the bedroom. That created enough space to move the portable cabinet minus shelf extensions for the 200.

Now there is enough space where the portable cabinet came from to move the cutting table into the corner.

Studio Transformation underwayThis kitchen cabinet cutting table is one heavy piece of furniture, even when empty. It is, of course, full of stuff, and I was not about to empty it, so after a good deal of pushing and shoving, it finally found it’s new resting place.

Studio Transformation underwayI love open spaces – but they don’t usually stay open for very long! This is the space that the new cabinet that fits my 830 is going to fill. As of today, it has been shipped, so hopefully it will arrive on my doorstep of Monday or Tuesday next week.

I have found that if you contemplate a “problem” long enough, a solution will emerge. The “problem” in this case was what to do with all the fabric and other stuff that was burying my sofa.

The solution was to organize the contents of the cutting table cupboards which made plenty of room for the fabric which is now neatly folded, with all the small scraps saved in a zip-lock bag. The added bonus is that my stabilizer is now also organized and easily accessible!

Two mornings of work, and this is what my studio now looks like:

After my studio transformationThe cutting table is fully functional for cutting – not a thing on top of the 24″x36″ cutting mat. The storage underneath is organized (you’re going to have to take my word on that since I didn’t take a photo!), and underneath the whole thing are all the quilts that are waiting very patiently to be quilted.

The Bernina 830 has been moved into position – waiting for its’ cabinet to arrive before I unpack it. Although with the weekend coming up, that might not last!

Studio Transformation afterThe 200 is ready and waiting if I should need to use it. And it’s also ready for Heather to use if she should get the urge. All the accessories are neatly arranged on the shelf which was moved over from the other side of the room.

The sofa is finally back in action as a place to sit – and I did actually sit on it for a few minutes this afternoon! There is even a pillow that came out of the cutting table where it was taking up way too much space!

It’s good to know that my vacuum cleaner still works – not a scrap of fabric or a piece of thread to be seen on the carpet – and I can guarantee that will not last for very long!

International Quilt Market, Houston 2009

10.14.09

I’m back, and more or less recovered, from 4 nights in Houston at International Quilt Market. This is definitely the place to go to find out what is new and exciting in the quilting world.

George R Brown Convention CenterQuilt Market takes place in the George R. Brown Convention Center in Downtown Houston. When Market opens, you see all the beautiful booths showcasing their products. Everything is in it’s place, the carpets are laid and there isn’t a storage box to be seen. The day before was a different story, that I would like to share with you today!

Quilt Market opened at 9:30am on Saturday morning, October 10, 2009. The convention center opens two days before hand so that exhibitors can come in and create their booths. Aurifil Thread in a case - everyone should own one of these!Noon on Thursday saw the Aurifil team waiting for their crates to arrive. A frustrated message went out on Facebook later that night – the crates had finally arrived at around 8pm, and a whole day of set up had been lost. Since I had no plans until my School house at 4:20pm on the Friday, I offered to lend a hand in helping them to get set up. Aurifil is after all my favorite thread!

9am on Friday, and two enormous crates are waiting in front of the Aurifil booth. A couple of tables are set in the booth, and the standard pole set-up is in place, waiting patiently for some drapes to make it look somewhat presentable. A carpet has been layed – a necessity if you want to retain feeling in your feet while standing in a booth for 3 days in a row.

The biggest of the two crates contains the booth walls that Aurifil uses to replace the standard drapes. And I must say it looks a whole lot nicer! This crate is locked with a padlock, and easy to open as Alex (Aurifil’s Italian Product Manager) has the key.

The smaller crate contains thread – lots and lots of it!!! It also contained the toolbox with all the tools required to open the crate which is well and truly bolted closed. Someone had a wrench – which took care of some of the bolts, but not enough of them to be able to open the crate.

The Aurifil team in front of their now open crateThis is where I decided to make myself useful – by going off to find some tools! Fortunately, the Brewer booth (who was hosting me) was just up the aisle, in even more chaos at that point in the day – with a tool box full of tools! So one fixed wrench and one adjustable wrench later, followed shortly by a hammer and a mallet, and all of the bolts were finally removed.

One thing I have learned about getting set up for Market – if you want to make any changes to the structure of your booth, you must have an “official” person do it for you. So down came the poles, and up went the Aurifil booth walls, nice and new and black – and covered with footprints!

Cleaning is not usually one of my strong points, but footprints on walls just have to come off, so out came my pack of wet wipes (I’m a Mom, and given the messes that the girls and I get into I should probably carry wet wipes with me more often) until Elena handed me a much larger towel and spray bottle of cleaning liquid.

The Aurifil BoothFrom this point on, a remarkable transformation happened. Gradually thread stands emerged from the crate, and thread found it’s way onto the stands. A couple of beautiful quilts were hung on the (newly clean) walls, and the most gorgeous 1kg cones of Aurifil thread found their way into various places for decoration. Table cloths covered the tables, and a beautiful booth had been born.

The Aurifil Team - Davide (left), Elena and Alex (right)1kg Cones of Aurifil Thread

Going to Houston!

10.08.09

I’m sitting at gate C2 of terminal 4 at Phoenix Sky Harbor airport – waiting for my flight to Houston to arrive. I’m on my way to Fall International Quilt Market, which happens every October at the George R. Brown Convention Center. Hundreds of exhibitors and thousands (hopefully!) of quilt store owners come together to find out what’s new in the quilting world.

My Houston GivewaysI’m excited to be going to Quilt Market in Houston for the first time. On Friday I will be doing a “schoolhouse” called “Embroidered Applique for Beginners”. It’s a great opportunity for me to show store owners and their representatives all about what I do, and give them a brief overview of how to do it. I have 30 minutes to talk – and enough to say to fill up about 3 hours! A few lucky people will be able to walk away with a ready made sample – a couple from my Jewels in Chocolate CD, a couple from my new Hearts CD.

Saturday and Sunday you will find me in the Brewer booth with demos at 11am and 5pm on Saturday, and noon on Sunday.

If you’re there I’d love to meet you!

Now it’s time for boarding. More from Houston later!

Adding a new Thread Chart

09.18.09

Aurifil Cotton Mako ThreadThis summer has been my time to fall in love with silk! It has also been my time to fall in love with using cotton thread for embroidered applique, specifically Aurifil Cotton Mako. This is not a “normal” choice for embroidery, so up until now, there has not been a thread chart available for it in the Bernina Embroidery Software. Now there is!

To download the new thread chart for Aurifil Cotton Mako, please enter your name and email address here:

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You will receive an email with a link to the download page for the file, along with instructions on where to put it.

Thanks to Alex Veronelli from Aurifil for helping to create this thread chart!

Samples of Embroidered Applique using Aurifil Cotton Mako

Jewels in Silk DetailSilk Heart Green

Filming for Quilting Arts TV

09.05.09

Monday August 31, 2009 at 7:40am saw me sitting on  a plane leaving  Phoenix, AZ and flying to Cleveland, OH. Why? To tape a 10 minute segment for Quilting Arts TV!

The last few weeks have been spent preparing for this major life event. I’ve never been on TV before, and despite watching shows from the previous series, I wasn’t quite sure what I was getting myself into!

My brief – to demonstrate how to do embroidered applique. The best bit – I got to do it on one of the new Bernina 830 embroidery machines using the ever so large Jumbo hoop.

Quilting Arts TV - the Green RoomMy plane landed at Cleveland Hopkins airport on time at about 20 minutes past 2pm. Down to the baggage claim to see my suitcase full of quilts sitting waiting for me. What a relief!

Since it hadn’t occurred to me until about 9pm on Sunday that I would need to find a way to get myself from the airport to the studio, and the shuttle was fully booked, I found myself taking a taxi – which turned out to be cheaper!

4pm found me arriving at the Beachwood Studio, met at the front door by Katherine Lamancusa, assistant to the producer and person to turn to if you needed just about anything. Then into the Green Room – which really is very green!

Jeanne Delpit, Bernina USAClose to the end of the day, everyone there had already done their thing, so the atmosphere was cheerful and relaxed. Jeanie Sumrall-Ajero was a familiar face, and also rushing out the door so not much time to do anything other than say “Hi! Bye!”. It did mean that she freed up a table, so I got to empty all my stuff out and start to get organized. That’s my green suitcase in the center of the pic, with my table in the back right hand corner.

Jeanne Delpit from Bernina USA was also a familiar face and voice, and had a friendly hug to welcome me. Getting busy turned out to be a really good thing, so after unpacking I turned my attention to preparing fabric for the project I was going to demo on TV.

6" Heart Embroidered AppliqueI had decided to use the designs from my newest embroidered applique collection, the Hearts CD, stitched out on Silk Dupioni with Aurifil Cotton Mako 50 weight thread.

I hadn’t decided what colors I was going to use, but finally chose  turquoise silk for the background, pink silk for the heart, with lime green, turquoise, orange and magenta for the thread.

Everything was finally cut, stabilized and ready! Time to stitch out a complete heart so that it would be “finished” and waiting in the jumbo hoop, for the end of my demonstration.

Pokey BoltonPokey Bolton, the host of Quilting Arts TV was finally done with her part of filming for the day, and was also busy in the Green Room, working on a project. And borrowing my rotary cutter!

Everything finally finished and ready, time to go to the hotel. Teri Harris Lucas was also there a day early, and she had a car, and she was staying in the same hotel! So off we went together, enjoying a quiet dinner together at PF Chang’s across the street from the hotel.

Tuesday morning at 8am saw me in makeup getting ready to go on TV! I was the first guest of the day, but Pokey had been hard at work already, taping all the intros and exits for the series. She wears a different outfit for each show, so it seemed like she was back in the Green room every few minutes for a change of clothes.

Katherine Lamancusa

And then it was my turn!

First to get the Bernina 830 onto the set. Jeanne took the sewing machine, Katherine was in charge of the embroidery module. It really is a big machine – especially when you have to move it!

Have you ever noticed that the people who are usually behind the camera don’t like to have their photo taken? Ray was the camera guy filming to the right of the set – at least from my perspective of being on the set! Billy is the floor director, equally shy when it came to having his photo taken!

Ray - camera man filming from the right hand side of the set Billy - floor director

Jeanne setting up the 830Me getting my set readyJeanne set up the 830 while Katherine helped me to bring all of my “stuff” onto the set. Where to put everything was the big question of the moment! I’m very glad that I had way too much stuff to show off. A lot of it didn’t appear – but Kathie Stull, the producer, helped us to choose the things that would show off best.

Set from the front

Set off to the right

The studio from the setI was surprised how dark the rest of the studio is, and also how quiet! I think there were two camera guys, Ray off to the right of the set, and another guy straight in front doing all the closeups – from above! Billy, the floor director, was off to the left with a monitor to show what was being filmed. I think there was someone lurking at the back of the room, but have no idea what they were doing. A sound guy appeared a couple of times – first to get me hooked up with a mic, and then after we started filming to adjust the sound so that I could be heard!

Pokey was wonderful – very cool, calm and collected! Always there with the perfect question to move the demo along. All in all, this was about the fastest 10 minutes I have ever experienced – apart from the eternity it took for the machine to stitch out the placement line for the heart. Was it enough to give people a good view of what I do? Time will tell! Given that I have a lot to say about how to do embroidered applique, I don’t think I’ve ever been so tongue-tied before. Maybe there will be a next time – in which case now I know what to do – and it wasn’t quite so scary after all!

Pokey Bolton and Sarah Vedeler - show 505, Quilting Arts TV

What’s On – August 23, 2009

08.23.09

All classes were lots of fun, with lots of happy students! The Dudes filled their classroom to capacity for Quilted All Over and had one student who was unable to make it in. No Hands Piped Binding this afternoon had my first Mother/Son duo taking a class together.

Hearts QuiltI got to the gym twice this week – and would have made it a third time on Saturday morning, except a friend called just as we were about to leave and suggested a playdate at the train park (the McCormick Stillman Railroad Park in Scottsdale, AZ). We decided to take advantage of the cool after the previous night’s storm to go and play – although it did get a little steamy later in the morning!

One more week to go before heading out to Cleveland on August 31 to tape a 10 minute segment for Quilting Arts TV on September 1. And so much still to be done!

Hearts QuiltThe quilting on the Hearts quilt is finished – it’s now just waiting to be bound. Pam and I were able to stitch out all 6 of the small hearts and 2 each of the 6 medium sized hearts in a very productive day on Tuesday. So this week there is a lot of finishing to do, as well as quilting the Jewels in Silk quilt.

Classes coming up this week are part 2 for both Digitizing for Beginners at Sew from the Heart on Wednesday, and Quilted All Over (peacock feathers) at 3 Dudes Quilting on Thursday. Wednesday evening I get to go to Sew from the Heart for the second time that day to give all the staff an overview of what version 6 of the Bernina Embroidery Software has in store.

And not to be forgotten – I need to write the directions for the project I will be presenting on Quilting Arts TV!

More on Morphing in Bernina Embroidery Software v6

08.22.09

I confess to being a little mystified by the new Morphing Effect tool in the new version 6 of the Bernina Embroidery Software. It can create some wonderful effects, but so far I have not come to any conclusions about when and how I will use it. So I went back to basics with a circle and a square, and a simple lacework fill, to take another look at what it can do. Here are the results:

Morphing Effect applied to a circle with lacework fill

Above are the results of applying the Morphing Effect to a 2″ diameter circle filled with the lacework fill (default settings) and outlined with satin stitch, stitch width = 0.06″. Below see the results for a square with the same fill and outline.

Top row: Pinch, Ripple, Skew Horizontal, Wave Horizontal.

Bottom row: Punch, Twirl, Skew Vertical, Wave Vertical.

Morphing Effect applied to a square with lacework fill

There are definitely possibilities to be explored!